I already wrote here about my Art Nouveau discoveries of Brussels during the great Art Nouveau and Art Deco Biennale, and after exploring various sites in Schaerbeek, I spent another weekend discovering Art Nouveau gems in Ixelles and Etterbeek.
On Saturday, I started with the ultimate example of Art Nouveau, Victor Horta's Hôtel Solvay in Avenue Louise. The building is nowadays a listed UNESCO world heritage site together with Horta's Hôtel Tassel (see below), Hôtel van Eetvelde and Horta Museum.
The interior of the house is once again fantastic: in Horta's style, stained glass windows bring light to the house, walls are beautifully decorated and all details are carefully executed.
I continued to another UNESCO site not far away in Rue Paul-Emile Janson, where Horta designed in 1893 Hôtel Tassel. The interior of this building was completely destroyed in the 1970s, but is now renovated to look like the original.
My last destination on Saturday was Maison Blerot in Rue de Belle-Vue, in a street where you have a row of buildings designed by the Art Nouveau architect Ernest Blerot (look for his signature on the facade).
Compared to Horta, Blerot's style was a bit more romantic with more flowers and animals used in the decorative patterns. Blerot constructed over 70 houses in Brussels and I think I need to go and discover some of them in the neighborhood of Saint-Boniface soon.
On Sunday I continued my Art Nouveau weekend with yet another Horta building close to Sablon, Maison Frison. It's a house that I've walked past many times, but I have never paid any attention to its dirty facade (see below, it's the one with "for rent" sign). Indeed, the facade is not spectacular, but the interior has a beautiful winter garden of true Horta style.
One of the highlights of the Biennale was, without a doubt, Maison Cauchie in Etterbeek, close to Parc Cinquantanaire. This is where I finally understood the technique of "sgraffito", which is used to make the decorative paintings in many Art Nouveau facades. It consists of two layers of plaster of which the bottom one is dark. When the plaster is still wet, the artists carves the lines of the image on the wall, revealing the darker layer. Then, as in the fresco style, the wet paint is coloured.
Paul Cauchie and his wife Caroline were masters of the sgraffito style and on the facade of their house you can admire their skills. The building has a well-earned place in the secret list of "The 5 most striking Art Nouveau houses in Brussels".
My last visit was in Parc Leopold (No. 322 in the list of "The 5 most remarkable places in the Eruopean Quarter"), the Bibliothèque Solvay, behind the European Parliament.
The story of the Solvay library is super interesting. Ernest Solvay (father of Armand Solvay who commissioned Hôtel Solvay) was a rich industrialist who was very keen on supporting education, science and research. He founded five private institutes, one of which was the institute of sociology, an academic field close to Solvay's heart.
This building was constructed to only around 10 top students of sociology. They had a beautiful library in the middle of the building for their use and their individual offices were furnished with Chesterfield furnitures. Not bad for sociologists! With the help of the sociologists, Ernest Solvay himself conducted analyses on workers' well-being in his factories. Oh boy, I wish we had more rich industrialists like him in the world today.
Later in the 20th century, the institute became part of the University of Brussels, and finally in 1981 the library was no longer used. Squatters moved in and destroyed the interior of the place completely in the following years. It was only in the end of the 1980s when an architecture student got interested in the place and urged politicians to save and protect it.
The shameful story got a happy ending as the student later was in charge of renovating the building. It is now used for various events and concerts, so it is possible to see the beautiful stained glass windows.
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