Free vaporetto boats connected Cannaregio to Isola di San Michele during the weekend of All Saints (1 November in Catholic countries). People were carrying huge bouquets of crysanthemums to replace the artificial flowers on the graves. Isola di San Michele is Venetians' cemetery where the people of La Serenissima have found their last place of rest ever since Napoleon ordered the island to be used for this purpose.
I find cemeteries an interesting cultural destination in different countries. I have done the usual tourist paths in search of the graves of Jim Morrison (Come on baby light my fire) and Édith Piaf (Je ne regrette rien) in Père-Lachaise in Paris and marvelled the huge burial monuments in Buenos Aires' La Recoleta (Don't cry for me Argentina by the grave of Eva Perón). I have been amazed by the kitch decoration of a cemetary in Punta Arenas, in Chilean Patagonia. And by kitch, I mean plastic Santa Claus puppets and Christmas lights behind the glass vitrines (this was in January). In front of our high school, we looked inspiration for creative writing from the age-old grave stones from the 18th century. In Warsaw, I witnessed the collapsed stones and rampant plants in a Jewish cemetery. In Mostar, I was saddened by disproportionately many graves from the beginning of the 1990s, young and old Bosnians alike. In Normandy, I visited the American cemetery full of simple white crosses, soldiers of 20 years old from Ohio, California and Minnesota, so far from home. You can't think of any excuses or reasons for wars in Verdun, where in the ossuary rest the remains of 130 000 French and German unknown soldiers from the battle of 1916. You can't visit a cemetery without a little thought for all the dead ones that lie below the ground (or in the little walls as in Venice) and that's why it is probably so intriguing visit, home or abroad.
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